I wrote here, without a necessary orders,some points of view of my work. made them between 2000 -2009. dim.:200/210cm, technique compresed charcoal on 250mg paper.
-volumetric plans(monumentality), different degrees of volumetric spaces(deepness,optical illusion,frontality) -shadow and light,darkness,blak opaque -ability of this technique in relations to white surface to transform the entire surface in a living space,with a new reality -the capacity of image area to absorb the viewer space,to gave energy, and vibrations -the capacity of signs to achive a maximum of their potential tensions(like in music when a sound give us the best on it, placed in a certain context) -the white page is a counterpoint to energy and vigour of the drawing affirmed by contrast -the capacity of entire work to make difference between exterior space and signs spaces -tactility,sensousness,spontaneous,impulsivity -I work with informations coming at that moment,real time composition -monumentality versus details -human body versus abstract
I wrote here, without a necessary orders,some points of view of my work. made them between 2000 -2009. dim.:200/210cm, technique compresed charcoal on 250mg paper.
RăspundețiȘtergere-volumetric plans(monumentality), different degrees of volumetric spaces(deepness,optical illusion,frontality)
-shadow and light,darkness,blak opaque
-ability of this technique in relations to white surface to transform the entire surface in a living space,with a new reality
-the capacity of image area to absorb the viewer space,to gave energy, and vibrations
-the capacity of signs to achive a maximum of their potential tensions(like in music when a sound give us the best on it, placed in a certain context)
-the white page is a counterpoint to energy and vigour of the drawing affirmed by contrast
-the capacity of entire work to make difference between exterior space and signs spaces
-tactility,sensousness,spontaneous,impulsivity
-I work with informations coming at that moment,real time composition
-monumentality versus details
-human body versus abstract
elena copuzeanu